Unlike the piano or the electric organ, the synthesiser rarely takes the form of a piece of furniture in its own right. It usually sits on a stand or a table, like a simple device.
The Commander starts from this observation: the keyboard and its stand form a single object, conceived as a true furniture-instrument that finds its place in a room.
It is above all a stylistic exercise: a subtractive analogue synthesiser, like dozens that already exist, without trying to reinvent its ergonomics or its use.
The front panel follows a classic layout, with oscillators, mixer, filter, envelopes, modulation and effects, so that the instrument remains instantly familiar to any musician.
