This guitar is a stylistic exercise at the crossroads of two references: the Gibson ES-335, icon of the semi-hollow guitar, and Jacobacci guitars, made in Paris by a family of luthiers whose models stood out for their singular shapes.
The body borrows the two symmetrical horns of the ES-335, while its rounded, almost undulating curves and cut-away lower body recall the freedom of line of the Jacobacci models.
The whole is deliberately pared back: a single pickup, a black bridge and tailpiece, and a solid wood body left raw to bring out the grain.
